An Open Letter to US Publishers: PLEASE Publish Kirsty Eagar

It started back in November.

At the 2012 YALSA YA Lit Symposium (another fine year at the Sympoisum, let me add!  I’ve been to all three. I’ve loved, learned, and networked at all three more than any other professional event I’ve ever attended.  Oh, and I’ve presented at every one too! I am double plus excited it’s happening every year now.  Rock on, YALSA.) the very first program I attended was Globalize Me! Young Adult Literature from Outside the U.S.  presented by Catherine M. Andronik and Adele Walsh.  The first time I heard the title, I thought it was going to be about all global literature for teen (which I am totally interested in, by the way.  Do teens in Japan also read paranormal books?  Does YA lit exist in other countries the way it does here?  And long-time readers know of my deep affection for Canadian YA/middle grade.) but reading the description I saw a specific mention of Australia as the focus which was ALSO interesting to me, since there seems to be so many amazing YA books coming out of Australia.


Catherine Andronik spoke first.  She had a break-down of Australian (and foreign) winners of the Printz Medal/Honor.  Frankly, until I’d seen it all laid out in her post, I hadn’t really thought about the percentages that way.  (It also reminded me about the wonder that is One Whole and Perfect Day by Judith Clarke.  Well done, 2008 Printz committee!)  It was an interesting stat to think about and to really marvel that the Printz allows for international submissions – I’ve discovered some wonderful writers that way.  Andronik is an academic doing research about this and I hope it gets published, I’d love to read it. After Adronik was Adele Walsh.  Adele is the program coordinator for The Centre for Youth Literature at the State Library of Victoria. Adele had come all the way from Australia to talk to us about the Australian publishing industry and, specifically, some of the authors being published in Australia who aren’t widely read or even published in America and the UK.  How could I have known the amount of money Adele was going to cost me in Australian shipping costs?  HOW COULD I HAVE KNOWN!

Adele talked primarily about four authors: Gabrielle Williams, Vikki Wakefield, Leanne Hall, and Kirsty Eagar.  Gabrielle has one book published in the US (Beatle Meets Destiny, 2009) and Vikki has one forthcoming. (Friday Brown, Simon & Schuster, 2013).  Leanne Hall and Kirsty Eagar don’t currently have US publishing deals. Adele talked about the books that hadn’t been published in the US.  Each one sounded fascinating to me. She booktalked:

  • Vikki Wakefield’s All I Ever Wanted – an  intense contemporary about a girl living with a drug dealing mother and trying not to become her.
  • Leanne Hall’s This is Shyness – magical realism infused with urban fantasy and something unnameable, a truly disquieting and original book that takes big risks with form.
  • Gabrielle William’s The Reluctant Hallelujah  – about a girl who discovers family secrets she never imagined and falls in love while defending on a wild and dangerous cross-country road trip taken to protect an important religious icon that just happens to be… no, I just can’t say any more.
  • Kirsty Eagar’s Raw Blue – the story of a young woman recovering from intense trauma through her love of surfing.

Adele talked about other titles and authors too, as well as the literary awards these authors had received.  By the time Adele was done with her presentation I had a list a mile long of books I planned to order from Australia.  (Thanks, Fishpond!)  The plan was to start with the four she had booktalked … until I discovered Kirsty Eagar had a paranormal book called SALTWATER VAMPIRES.  My friends, I am only human.  No human can resist SALTWATER VAMPIRES.  So, I ordered that one instead and before I’d even left the symposium, four books were on their way to me from Australia.  Meanwhile, Adele insisted I also had to read Raw Blue, so I found it used on Amazon and it to my pile.

Now, I really liked all of the books Adele recommended.  Honestly and truly.  US Publishers, you need to hop on them right away.  This is Shyness – I don’t even know WHAT that book was.  I’ve never read ANYTHING like it.  But it was awesome.   All I Ever Wanted?  You wouldn’t be able to booktalk it fast enough for your reluctant readers and fans of Ellen Hopkins.   The Reluctant Hallelujah – is the soul-twin of Going Bovine and is perfect for your teens who love literary fiction with a little twist.  I liked these books to the point where I’d buy them for my library and recommend them to my teens.  But when it comes to Kirsty Eagar … I love Kirsty Eagar. saltwater

Saltwater Vampires is unlike any vampire book, any paranormal book period, I’ve ever read.  Saltwater Vampires makes the brilliant and dark choice to use the wreck of the Batavia (a horrific true-life tragedy wherein survivors of a mutinied shipwreck descended into utter savagery and madness) as the centerpiece for its dark happenings.  ONE reason this really works is because it imbues its villains with some genuine, deep-seeded menace.

Saltwater Vampires, through a sea of vampire books (teehee), managed to remind me why there is something elemental about horror, particularly YA horror.  There is some bad shit out there, YA horror says, and the adults in this world might help or they might be behind it and this bad shit?  It’s got fucking claws and it’s coming after you – and it can look just like the person you’ve been best friends with your whole life.  It can look just like you. 

Saltwater Vampires is a dark, violent, twisty horror novel full of surprises and boy, is it FUN.  Yes, there are some more complicated, literary elements of it (the historical elements, lots of evocative descriptions of surfing, an Eagar hallmark) but make no mistake, it’s a page-turner that’s handily packed with blood, sex, raves, violence, and VAMPIRE SLAYING.  Believe me, American teens would read that even if it uses slang and is set on the Western coast of Australia.

The second I was done tearing through Saltwater Vampires I started Raw Blue.  Yet again, I had no idea what I was in for, because this book blew. me. away. Raw Blue  Raw Blue is the story of Carly, who has dropped out of university, left her hometown and is “wasting her potential” by surfing all day and working at a restaurant.  Readers know there’s something truly traumatic in Carly’s background and Eagar, in an unbelievably delicate and well-crafted way, lets readers into the full story of this trauma much in the way Carly might recall it; slowly and with no small measure of agony.  This is not an easy book to read.  But, God, it’s a rewarding one, an unforgettable one.  This is a book that will stay for me for always, that makes me so glad I do what I do.

Look, Raw Blue needs to be published in America if for no other reason than I can shove it in the face of all those NEW ADULT people. Raw Blue, featuring a character who is out of high school, working a full-time job, healing after an intense trauma and, eventually, establishing a real relationship, is… STILL A YA NOVEL.  It does not need another label, a NEW ADULT label, because it is a YA book – a YA book for mature and older teen readers, yes.  A YA book with adult appeal, yes. But this book is a YA book in every way, the themes are YA themes: negotiating a relationship with your parents, taking shaky steps into a new kind of romantic relationship, and learning to define your identity on your own terms.  Through and through, this is a YA book, a helluva YA book, an original and daring YA book,  about a 20 year old and that’s that.

Kirsty Eagar has one other book, Night Beach.  I have it all loaded up on my Kindle and ready to read and I’m sure it’s going to be just as stunning, ethereal, and original as her other two books.  Yes, that’s the good news, Kristy Eagar’s three books are now all available for Kindle.

This is a good start, America!   BUT US PUBLISHERS, YOU CAN DO SO MUCH MORE.  Publish Kirsty Eagar’s books.  Take a chance on them with US audiences.  You want to find the next big thing in YA?  Try looking a little farther afield.  These books are something different, I won’t lie.  But that doesn’t mean they don’t have teen appeal, that doesn’t mean they aren’t readable and awesome.  They are different and that is glorious.  Something different (something different that is also something GOOD) is how you avoid a glut in the market and declining reader interest. US PUBLISHERS, IT IS TIME: PUBLISH KIRSTY EAGAR’S BOOKS!  Just pick one up and give it a read and I KNOW you’ll see in her work what I saw and, like I did, you’ll want to share her work with a wide American audience of readers.

As for me, Night Beach is my next to be read then it’s off to plot for a way to visit Australia and load up on books in person. . .


Body Positivity & Fat Acceptance @ 2010 YA Lit Symposium

It’s me!  A wonderful, blurry picture of me, snapped by the fabulous Allen Zadoff at the beginning of my pre-conference.  (I didn’t take any pictures because I wasn’t really thinking …)

The YA Lit Symposium was a great time, especially once I survived my pre-conference!  I attended some really interesting and exciting sessions.  (and only one that I felt was really, really frustrating.)  I also had the chance to catch up with some of my fantastic librarian colleagues/friends (Wendy, Liz, Melissa, and Gretchen chief among them!) and network and feel the power of YALSA.  (I just think we’re the most fun.  I just think no one has more fun than us!)  There was A LOT of tweeting happening, which was a great way to both take notes and keep up with what was happening in other panels.

I’ll blog a little more about the symposium and the sessions I attended later this week, but in the meantime, I wanted to get all the information from my pre-conference up here for anyone who was looking.  This is all the material and links we covered at the session, you’re  free to use it in your programming or booklists as you see fit.  I’m not sure how much sense this will make to people who weren’t at the pre-conference, but definitely feel free to take a look either way.  And, OF COURSE, if you have any questions or want any more information, please let me know.

Two recaps of the session can be found at the YALSA blog (thanks Meredith!) and at Librarified. (thanks, Gretchen!)  If there’s any other reviews/wrap-ups out there, please let me know so I can link to them!

THANK YOU SO MUCH to everyone who attended the pre-conference: thanks for caring and paying extra to attend and being so attentive and interesting and fun to bounce ideas off of!  Thanks to the outstanding and talented authors Megan Frazer, Madeleine George, Susan Vaught, and Allen Zadoff, who agreed to talk about their excellent books and be part of the story.  Thanks to all of you for showing up and listening and inspiring me!   I really feel like we had a great session and, as I said, started a really important conversation.  I hope all of you will continue that conversation, and that work, with me here on the blog and in your libraries with your teen patrons!

The literature review in Powerpoint format. (through Slideshare … all those covers!)
The literature review as a Word doc. (through Google docs)

YouTube Videos
Fat Talk Free Week #1
Fat Talk Free Week #2
Operation Beautiful #1
Operation Beautiful #2
Joy Nash’s FAT RANT (we didn’t get to watch this in session, but it’s great and HIGHLY recommended for those who haven’t yet seen the awesomeness!)

Web Resources
Reflections: The Body Image Program
(Remember this program was started by a college sorority, Tri Delta, so some of these activities obviously need to be modified for use in a teen/library setting:
Activities, More Activities)
The Illustrated BMI Project
Operation Beautiful

And, of course, remember that any time you have questions, want to continue the conversation, or share ideas, you can contact me via e-mail, (fatgirlreading at sign gmail) through this site, or follow me on Twitter.

The pre-conference was truly an amazing experience.  Together, I hope we can make it just the beginning of something great.


I Hope My Fat Body Isn’t Grossing You Out, World.

Well, there it is: my big, fat body.  I’m standing in the Gulf of Mexico, in the middle of a luxurious vacation with a group of my closest friends, enjoying my life and my world and having a wonderful time with people who love me, but I can see as how this would gross you out.  What with me existing and everything.

On Monday, Marie Claire published an blog in their online Year of Living Flirtatiously column called “Should “Fatties” Get A Room?  (Even on TV?)” by Maura Kelly.  I’m not going to link to that article because (in my opinion) Marie Claire is currently loving all the page views and publicity.  But I first read about it on Jezebel, where there’s plenty of excerpts from the article and a link you can follow to it, if you’d like.

Anyhow, the article went viral, Kelly issued a completely awesome non-apology and it started a really good conversation about about if fat people, like, have a right to exist even if they make people like Maura Kelly upset “simply by walking across the room.”  Well, OK, there’s actually been much more conversation, commentary, and insight written about it and I’ve appreciated it, really, and I’ve appreciated that so many people spoke up and said, “This is offensive, this hurts me, this isn’t OK.”  That part is awesome.

But at the same time?  What in the holy hell?  There is no both sides.  There is no “let’s talk about Maura Kelly’s points!”  She doesn’t have any points.  She does not have an argument.  She wrote an offensive, hateful piece that isn’t well written or edited and isn’t really coherent.  This doesn’t mean “why bother responding?”  as most of you know, I *always* think it’s worth responding.  But … wow.  That this is what we’re responding to?  It’s almost shocking.

Almost, I say, because on the other hand, it’s not shocking at all.  It’s barely a surprise, I guess, to me as a fat person.  That’s what it means to be fat, after all, that people can “seriously” write things like this for a major national publication and get away with phrasing it like a question.  Should fat people be allowed to make out?

I wasn’t always aware of fat activism, part of it, you know.  I didn’t just spring into being this way.  Wading out in the Gulf of Mexico, the sand under my toes and the water deliciously cool on a hot day, I think that was maybe the first time in my adult life I was in a swimsuit without some sort of cover-up trying to hide my body.

It felt so good.

Understanding my body was not my enemy, understanding that people do not have an unalienable right to comment on and judge my body, that my body is not part of their conversation – that changed everything.   Maura Kelly, Marie Claire, that ridiculous blog, they deserve a response.  And that response is: shut the fuck up.

OK, fine, that’s simplifying it a bit.  What I mean to say is: my body is not yours for public discussion.  How I walk across a room, how I kiss a man, how I eat a pretzel, how I look in a swimsuit with clear blue water washing over my skin – that is not yours to feel repulsed by, to wonder about, to comment on at all.

That’s mine.

This is how my fat activism started: the awareness that my body was mine.  It grew from there, spurred on by conversations with a very smart person who knew about body politics and encouraged me to think about it, by my development as a feminist, and, oh yeah, by my reading.

In reading others stories, I saw my life and my struggles reflected back, and I knew that I wasn’t alone.  It is this connection that has always made reading so powerful, so important to me.

Over a year ago, I started planning a program for the 2010 YALSA YA Literature Symposium.  The idea?  To look at the many books published for young adults (in the last five years) dealing with fat issues, fat characters, and even fat acceptance.  These books (some good, some bad, some trying) that had characters that were learning to make peace with their bodies, to stand up for themselves, to figure out who they were – these books I thought could be a connection for so many teenagers.

One week from today, what began, over a year ago, as an idea for an author panel program will now be a half-day pre-conference.

I hope that this is just the beginning of the conversation, the first step in getting word out to librarians (and teens!) that there are books being published now that reflect a world full of different bodies and different sizes and these voices can help teenagers (can help anyone!) learn to stop apologizing for their bodies and start telling people like Maura Kelly that they’ll walk across the room without any shame and she doesn’t get the slightest bit say in it.

I hope you’ll join the conversation and spread the message.  It’s the most important thing we, as a community of librarians, reviewers, and writers, could ever say to Marie Claire or Maura Kelly.

It’s the best response we can give.

(additionally: if you’re coming to the symposium, please let me know, I’m super-excited about getting to meet up with as many people as possible!)